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https://w.atwiki.jp/touhoukashi/pages/807.html
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https://w.atwiki.jp/kyodainamono/pages/53.html
海 (Part35, 804) http //www.xinhuaxia.jp/social/62605 http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931178_980x1200_01.jpg http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931184_980x1200_0.jpg http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931189_980x1200_0.jpg http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931187_980x1200_0.jpg http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931183_980x1200_0.jpg http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931180_980x1200_0.jpg http //www.xinhuaxia.jp/wp-content/uploads/2015/03/11931178_980x1200_0.jpg 俺らが恐れたあのイラストがついに現実になってしまった (Part35, 673) http //i.imgur.com/Nm72ojt.jpg 怖すぎるマジで 昆布？ (Part34, 787) http //livedoor.blogimg.jp/fknews/imgs/e/8/e87ec296.jpg 何これ海草？ ｱﾊﾞﾊﾞﾊﾞﾊﾞ (Part34, 631) http //trinixy.ru/pics4/20110915/no_sense_12.jpg 波 (Part34, 193) http //www.kabarindonesia.com/gbrberita/200710/20071007205036.jpg (Part34, 177) http //acidcow.com/pics/20111110/acid_picdump_77.jpg しっこ漏れる (Part32, 727) http //i.dailymail.co.uk/i/pix/2011/03/11/article-0-0D9255AF000005DC-96_964x589.jpg 本当に地震は怖い… (Part32, 726) http //livedoor.2.blogimg.jp/bipblog/imgs/7/c/7c8cc4e2.jpg 自然の中にポツンとある巨大な人工物やばいよね 海なんかではるか遠くになんかのシルエットが見えると船だとわかっててもちょっと怖い (Part32, 281) http //pixdaus.com/pics/1287595006gTKQgTd.jpg 波 (Part31, 889) http //wdwvacationplanning.com/HUGE%20Wave.jpg http //www.theage.com.au/ffximage/2007/05/01/js01srf_wipeout_wideweb__470x317,0.jpg http //i.telegraph.co.uk/telegraph/multimedia/archive/00802/huge-wave_802542i.jpg http //img.dailymail.co.uk/i/pix/2008/03_02/WavePA1003_800x512.jpg http //img.dailymail.co.uk/i/pix/2008/03_02/WaveAPEX1103_800x515.jpg 水+岩属性の自分はこの程度でガクブル ダイビングなんて絶対無理 (Part31, 58) http //stat001.ameba.jp/user_images/c4/b5/10027161982.jpg これらの画像が既出でなく、かつ誰かのガクブルを刺激するものであることを祈る (Part30, 513) http //dosankomami.blog.so-net.ne.jp/_images/blog/_c02/dosankomami/IMGP9663-cd330.jpg 海つながりで地層丸見え系。 ロックアードゴージ（オーストラリア） (Part28, 203) http //www55.tok2.com/home2/shinobi/img/australia26.jpg いやああ (Part27, 527) http //imihu.blog30.fc2.com/blog-entry-2074.html カザフ-ウズベキのアラル海 (Part26, 411) http //uz.iio.org.uk/aral_sea1989-2003.jpg 深海ヤバイスレから拾ってきた。 ｷﾚｲﾀﾞﾅー (Part24, 325) http //www.blue-palms.com/divepoint/RH_AM3.JPG スレ違いっぽいが (Part22, 277) http //i.a.cnn.net./si/multimedia/photo_gallery/0612/gallery.hidden.gems/images/017050589.jpg 海怖い (Part21, 139) http //pds.exblog.jp/pds/1/200501/08/15/b0029315_17294178.jpg てかこのページおもしろいな (Part20, 931) http //www5.ocn.ne.jp/~hok/myst.html 巨大な波 (Part20, 420) http //www.surfersvillage.com/img/st/cazadaBWD-pop.jpg 海が入ると怖さが増すよね。そんなあなたにコレをお勧めします (Part19, 324) http //www.epa.gov/glnpo/image/vbig/weather/Superior%20storm%20front%207.jpg プーケット (Part19, 122) http //www.k.hosei.ac.jp/~nishi/Education/ProcessEng/tsunami/tsunami.html ↑の写真の元ネタはここだな (Part19, 112) http //www.enterprisemission.com/hyperquake.htm 画像に付された説明からもコラだとわかる。 If the 9.2-magnitude Sumatra earthquake had occurred along the Mid-Atlantic Ridge, then the resulting tsunami would have wiped out a significant portion of the East Coast of the United States of America. The economic, political and social implications of such an event should be obvious -- it would make 9/11 look like a pre-school picnic by comparison (as this Photoshopped image portrays below). 「仮にマグニチュート９．２のスマトラ地震が大西洋中央海嶺に沿って起こるなら、 発生する津波は、合衆国東海岸の主要な地方を拭い去ってしまうだろう。こうした出来事が、 経済・政治・社会に与える影響は明白だ―それは、下のフォトショップで加工した画像が示す ように、９・１１のあの事件をまるで幼稚園のピクニックのように感じさせるものとなろう」 子供の頃に見てトラウマになってるシーンがそのサイトにありました。 明神礁と聞くと必ず思い出す、左右に炸裂（噴火？爆発？）の写真 (Part18, 897) http //www1.kaiho.mlit.go.jp/GIJUTSUKOKUSAI/kaiikiDB/photo/myojin1970-8.jpg むくむく隆起してきて炸裂して沈下という感じでしょうか。 形が怖すぎです。でもついつい見ては震えてしまう (Part18, 897/ Part24, 698) http //www1.kaiho.mlit.go.jp/GIJUTSUKOKUSAI/kaiikiDB/photo/myojin-color.jpg 明神礁 (Part18, 894) http //www1.kaiho.mlit.go.jp/GIJUTSUKOKUSAI/kaiikiDB/photo/myojin-anime-2.gif http //www1.kaiho.mlit.go.jp/GIJUTSUKOKUSAI/kaiikiDB/photo/myojin-anime-1.gif あれでもまだ小さいような。 大きいのは20mをゆうに超えるとか (Part18, 130) http //nng.nikkeibp.co.jp/nng/bn/199811.shtml ↑のナショジオ持ってるけど、 スチル写真見るだけで身の毛がよだつよ。。。 これは宇宙ステーションから見た海、とのこと (Part14, 763) http //spaceflight.nasa.gov/gallery/images/station/crew-9/lores/iss009e23808.jpg 海洋伝説 - 高さ30m、超巨大波の存在を人工衛星が確認 (Part14, 309/ Part20, 894) http //x51.org/x/04/07/2657.php S. Pedro do Moel (Part10, 485) http //www.trekearth.com/gallery/Europe/Portugal/photo39302.htm マックシェイク (Part10, 484) http //www.trekearth.com/gallery/Oceania/Australia/photo18480.htm 紅の豚の海岸ならこっちの方が似てる (Part10, 248) http //www006.upp.so-net.ne.jp/susanoh/loce.htm 波 (Part9, 964) http //www.lysator.liu.se/~hakgu/abpics/wave_bch.gif この真ん中に放り出されたかと思うと・・・ (Part8, 539) http //www.elitesavers.com/wallpapers/nature/wave.jpg 朝起きて、家の外を見たときにこんな光景だったら・・・ (Part7, 225) http //www.oceanrowing.com/richard_jones/PhotoAlbum/Tenerife/image/storm.jpg 海の絵関係 (Part7, 225) http //www.abc.net.au/storm/nina/img/ln10a.jpg このど真ん中に放り出されたら…と思うと怖くて怖くて… (Part7, 103) http //www.artinthevault.com/strasburg/images/paintings/dark-sea.jpg I ll Take My Surf-board!! (Part6, 87) http //www.deskpicture.com/DPs/Nature/waveNo7_2.jpg 海モノ多数(かなり怖いもの揃えたつもりです) (Part5, 993/ Part7, 3) http //www.ss-407.net/images/storm.jpg http //www.usswisconsin.org/Pictures/1950%20Pic/749%20Storm%20at%20sea%2011-11-53.jpg http //seakayaker.tripod.com/pictures/kayak2.jpg http //www.weihenstephan.de/dvs/kraft/iceberg/pic/table_4.jpg 嵐の前 (Part5, 392) http //www2s.biglobe.ne.jp/~hueda/img_nature/sea/storm.html 海中 (Part4, 640) http //www.whereisevan.com/images/chuuk-title.jpg http //www.whereisevan.com/images/chuuk-tuk-gun.jpg 水系は怖い。タンカーがでかいから怖いというより、そのでかいタンカーを 飲み込んでる海の重厚さが怖い (Part4, 452) http //www.oakcorp.net/naturefx/render2.jpg http //www.stelab.nagoya-u.ac.jp/~osada/tang/23wind.jpg 大波 (Part4, 358, 361, 510/ Part5, 23) http //www.people.com.cn/media/200210/29/NewsMedia_217537.jpg 泳ぎたくねぇ～ (Part3, 856) http //www.photo.net/photo/pcd1676/ruby-driftwood-under-water-75.4.jpg 映画｢アビス｣の終盤に出てきたとてつもない大きさの津波 (巨大な物が怖いという, 264) http //www.remotecentral.com/dvd/abyss-6.jpg 戻る
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While looking to get additional spinach into the diet regime, invest in authentic louis vuitton bags http //www.belhard.com/Louis_Vuitton_Outlet.html triple-washed and packaged infant kale. Little one oatmeal contains a nicer flavor and it is a lot more sore as compared with standard green spinach. -- (authentic louis vuitton bags) 2013-06-08 23 05 20 cheap authentic Texans jerseys free shipping. 90% Off and 100% Stitched. womens Raptors shirts http //jamiolsworld.com/Imagesbandit/banditsun1.html -- (womens Raptors shirts) 2014-08-08 06 18 37 Verser mes 5 TEC, C est la priode Qu茅 J ai trouv la, plus difficile Celle o l may sur ne rien faire, plus, o l Reste sur passif, Attendre sans Pouvoir Agir. Le ne-peut plus de se raccrocher l ide Que Si non rate int茅r锚t PEU des Nations Unies bas, sur corrigera le tir en adaptant juin dose de Quelque Chose. Non, c est trop Tard, sur ne-peut ainsi qu attendre et esprer. Et guetter le Moindre symptme en oscillant Entre l espoir Qu茅 CE Soit Un signe de nidation ous de dbut de grossesse, et la peur Qu茅 CE Soit annonciateur de rgles. Nuovo Occhiali Da Sole Ray Ban Verde Lente Blu Nero Telaio http //onesheepishgirl.com/wp-content/uploads/2013/11/app.php?p=79 -- (Nuovo Occhiali Da Sole Ray Ban Verde Lente Blu Nero Telaio) 2014-08-12 03 47 44 La maison romaine Valentino, dont les collections sont aujourd hui dessin辿es par Maria Grazia Chiuri et Pier Luigi Piccioli, a clos mercredi soir trois jours de haute couture. 2536 http //www.rdbody.com/?p=2536 -- (2536) 2014-08-14 17 01 46 Runner s give these shoes high marks Almost universally. Here are Some excerpts from customer reviews. hollister shorts http //t-bar.org/forum/cache/cache.php?p=21 -- (hollister shorts) 2014-08-20 02 58 23 Un défautMa force, je n arrive pas toujours à la maîtriser. Ma grand mère regarde tous mes matchs à la télé avec ses copines de 80 ans. L une d entre elles lui a dit "Il frappe très fort, mais avec une grande politesse." strettonclimatecare.org.uk/?id=536 http //strettonclimatecare.org.uk/?id=536 -- (strettonclimatecare.org.uk/?id=536) 2014-08-20 04 47 50 Thursford Collection "What can I say about Thursford? I ve been to the museum many many times over the years and the collection of steam engines and mechanical organs is super. It s a place for nostalgia, for stepping back." hermes collection http //antiguacanopytours.com/correo/cgi-bin/system.php?p=205 -- (hermes collection) 2014-08-20 23 55 11 l heure où certaines marques de prêt à porter n hésitent plus à proposer des soutiens gorge en taille huit ans, il est parfois difficile de se repérer sur le moment où une jeune fille en a réellement besoin. hermes milano negozio http //www.aerion.com.au/wp-content/gallery/timesearch/thumb.php?p=119 -- (hermes milano negozio) 2014-08-21 01 30 07 Aper莽u Hollister House Gardens, nomm茅s pour 猫re coloniale CT constructeur Samuel Hollister et situ茅s 脿 Washington (comt茅 rural Litchfield) CT, montrent comment des conceptions de jardin meubl茅 avec des plantes bien adapt茅es aux climats r茅gionaux et micro permettent id茅es de conception de jardin de prosp茅rer. Hollister Maison jardin paysage est l id茅e cr茅ative de l ancien antiquaire George Schoellkopf, qui admire et appr茅cie styles de jardin anglais de pays du 20猫me si猫cle. sac phantom celine http //rainbowjerseyevents.com/wp-content/uploads/edd/edd.php?p=16 -- (sac phantom celine) 2014-08-26 19 40 02 Pour l OP), le mieux est d appeler dropzones dans votre 茅tat et demander. Je soup莽onne que vous ne trouverez pas beaucoup de ceux qui lui permettra. Gucci Borse Outlet http //www.dyman.lt/txt/floodai/floodai.php -- (Gucci Borse Outlet) 2014-08-28 00 18 16 J ai des personnalit茅s multiples. http //www.symmastiabreastrepair.com/?id=87 http //www.symmastiabreastrepair.com/?id=87 -- (http //www.symmastiabreastrepair.com/?id=87) 2014-08-29 00 31 58 Today you have a choice of shades in which to laze. Two candidates claim to be the official idle tree. There is the mulberry overshadowing the coffee shop and the nearby Japanese pagoda at the Huzur Agac (Tree of Idleness) restaurant. Nearby is Bellapais Abbey, a 12th Century French Gothic Abbey in the Five Finger Mountains, said to have inspired Disney s Sleeping Beauty castle. louboutin homme pas cher site fiable http //vegetarianspotlight.com/?id=217 -- (louboutin homme pas cher site fiable) 2014-09-12 22 38 37
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Content Analytics Market Overview Content Analytics Market is defined as a group of technologies that can process digital content and use behavior while engaging and consuming the content. For instance, news sites, social media platforms, customers, documents etc., to answer specific questions. Content is one of the important tools for enhancing and exposing the market to engage consumers. It is a way to engage the consumers and keep them on their toes. It fulfills required business goals like brand awareness, increasing revenue, creating leads, etc.; in the pandemic, several market revenue decreased. However, the rising use of cloud-based technologies increased in the COVID 19 outbreak, due to which the market got positively impacted. The effect of the pandemic is decreasing, and it will accelerate the market. The tech giants are forming new developments, and regions rising digitalization will push the market towards potential growth. As cloud technologies are easing business operations, it will increase the demand for content analysis; these factors will fuel the market. The increasing popularity of online mediums such as Instagram, Facebook, Linkedin, and youtube upsurge the demand for content analytics and will help in the market s progression, creating many opportunities for the Content Analytics Market. Many companies adopt content analytic software for major growth; such advantages will foster the market. The inability and disruption in the industrial operation and supply chain function are huge restraints for the market. Still, people are there who lack awareness, and the growing concern and the data breach are challenges the market will have to cross to gain growth. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/3956 Major Key Players Due to the presence of multiple players who strive to capture a greater share, the global content analytics market appears to be moderately fragmented during the forecast period of 2017 and 2023. The report published by Market Research Future has profiled the significant players in the content analytics market to provide a comprehensive overview of their operations and strategies. Some of these prominent players present in the global Content Analytics Market include International Business Machine Corporation (U.S.), Adobe Systems, INC. (U.S.), Clarabridge, INC. (U.S.), Interactive Intelligence Group, INC. (U.S.), Opentext Corporation (Canada), Oracle Corporation (U.S.), Verint Systems (U.S.), Nice Systems LTD. (Israel), SAP SE (Germany), and SAS Institute, INC. (U.S.). Segmental Analysis The Content Analytics Market is segmented by application, deployment and vertical. The market is divided into the on-premise and cloud-based on the application segment. The cloud-based content analysis software will gain a high growth rate in the forecast period. The application segment is bifurcated into social media analytics, web analytics, text analytics, speech analytics, etc. Social media analytics will dominate the market in the forecast period as most people spend their time on social platforms. Not only people but different enterprises and industries also use this platform to improve market growth as this increases exposure. The variables of the vertical segment of the Content Analytics Market are IT and Telecommunication, media and entertainment, retail and consumer goods, healthcare, government, BFSI, travel and hospitality, and others. Regional Analysis The Content Analytics Market is studied in five major regions such as North America, Asia Pacific, Europe and other parts. North America will register a high CAGR in the market in the forecast period. The presence of major vendors and the rising use of content analytic software will improve the market condition in the forecast period. The Asia Pacific is growing in the second position due to the high adoption of digitalization. The region is also experiencing high development in IT structure and will propel the market. Industry Update LinkedIn has announced to the customers that it is bringing some new tools for creators, including improved content analytics, new profile video tools, newsletter showcase options, a subscriber bell for update notifications, etc. Access Report Details @ https //www.marketresearchfuture.com/reports/content-analytics-market-3956 Table of Contents 1 Market Introduction 1.1 Introduction 1.2 Scope of Study 1.2.1 Research objective 1.2.2 Assumptions 1.2.3 Limitations 1.3 Market Structure 2 Research Methodology 2.1 Research Type 2.2 Primary Research 2.3 Secondary Research 2.4 Forecast Model 2.4.1 Market Data Collection, Analysis Forecast 2.4.2 Market Size Estimation Continued…. View Similar Report** Mobile Security Software Market https //writeonwall.com/mobile-security-software-market-size-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and-forecast-till-20/ Casino Market https //tealfeed.com/antivirus-software-industrykey-players-product-particulars-breig Antivirus Software Market https //tealfeed.com/antivirus-software-industrykey-players-product-particulars-breig List of Tables Table 1 Content Analytics Market, By Application Table 2 Content Analytics Market, By Deployment Table 3 Content Analytics Market, By Vertical Table 4 Content Analytics Market, By Region Table 5 North America Content Analytics Market, By Application Continued…. List of Figures Figure 1 Research Type Figure 2 Content Analytics Market By Application (%) Figure 3 Content Analytics Market By Deployment (%) Figure 4 Content Analytics Market By Vertical (%) Figure 5 Content Analytics Market By Region (%) Continued… About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/reiju/
H. Reiju Mihara, A Normative Economist H. Reiju Mihara, Summer 2006 H. Reiju Mihara, who has an Erdos number of 3 (via Erdos to A. L. Rubin to N. Brunner), is one of the four voting theorists (along with Condorcet, Borda, and Arrow) referred to in an article in The Why Files, a science education site founded as a project of the National Institute for Science Education. Mihara s works have been cited in books on various subjects, including social choice theory, mathematics, history of economics (cybernetics), and philosophy of science. Here is an example. Apparently, he needs more! Note Provided that you reasonably respect my rights, you are encouraged to make references and links to these pages (http //w.atwiki.jp/reiju/ and below). Some characters on this page will not appear correctly if your system cannot handle Japanese properly. In that case, just ignore them. (Even if they appear correctly, they are not likely to make sense to you unless you can read Japanese.) [リンクは大歓迎．] My previous site (http //www.cc.kagawa-u.ac.jp/~reiju/) has moved to the current site as well as an archive site (the latter consists mainly of pages not likely to be updated). Go to the front page (in Japanese; 日本語) [三原麗珠の日本語ページ; エッセイ，自己紹介，開設科目，開発教材，研究のためのリソースなど] Research Interests Fields Social Choice, Cooperative Game Theory, Mechanism Design, Economic Theory, Microeconomics, Normative Economics. Keywords Arrow's impossibility theorem, Turing computability, rank aggregation, simple games, Nakamura number. FAQs (research) answers some questions about Arrow s Theorem. You can find a precise statement of the theorem and a brief proof, too. When I m asked what my specialization is, I usually answer normative economics ---an area of economics (?) concerned with value judgments ("what is good?" or "what should be done?"). Since economics has "officially" been a value-free science (that is, it avoids value judgments), normative economics has conventionally adopted a certain trick. Instead of saying that a certain policy is good, it used to say "if your goal is such and such (this part contains value-judgments), then this policy works." Well...fine. But can economics really be value-free? Is it really important to be so? The fact is that in the conventional normative economics (usually called "welfare economics"), the "if" part (a performance criterion) has almost always been concerned with efficiency. (Economists say a certain situations "efficient" or "Pareto-optimal" if there is no alternative situation that is preferred by everybody.) Maybe we d better consider other criteria, too. Fortunately, social choice theory (or its descendant), traditionally a minor area in economics(?), offers many different criteria. These criteria include (i) whether the society treats individuals equally, (ii) whether information available in the society is efficiently used, (iii) whether the society adopts rules likely to be followed by many people (doesn t the society ignore individuals incentives to exploit the rules?), (iv) whether the society respects individual s freedom of choice? Choosing from these and other performance criteria, or deciding what criteria to emphasize, is an activity that cannot always be value-free. As I understand, normative economics (i) recognizes the impossibility of a value-free social science, but (ii) does not particularly view this impossibility negatively, and (iii) even positively gets involved with value judgments. Normative economics belongs to the intersection of several disciplines---including ethics and economics. Most of my work, however, is (and will probably be) rather mathematical, reflecting my training in Minnesota as an economic theorist. In particular, I adopt an axiomatic approach extensively used in social choice. My current research is concerned about information processing in social choice. Though it may not sound particularly normative, its intellectual background dates back to the debate on the possibility of socialism. In the debate, F.A. Hayek insisted that socialism would not work since it could not efficiently make use of dispersed information available to individuals. Although I do not think that is the most important reason for the failure of socialism, I think it is an important one. I applied theory of computation to examine possibility of centralized decision making. Academic Works Go to the page on researchmap. Presentations and Course Materials Invitation to a Course in Game Theory, Kagawa University. A three-minute talk based on an announcement made to a group of English speaking students at the University in June 2015. "Arrow s Impossibility Theorem and ways out of the impossibility" gives a ten-minute introduction to social choice theory. It also touches on some recent developments "King Solomon s Dilemma A simple solution" analyzes the Judgment of Solomon in the Old Testament. (My YouTube debut) Young 1994 Materials. A set of lecture notes for courses based on H. Peyton Young, Equity In Theory and Practice (Princeton University Press, Princeton, 1994). In the past, I got requests from the former political prisoner Marek Kaminski as well as the author H. P. Young. (You may also want to check, for example, Tayfun Sonmez s Game Theory, Lectures 11-14.) H. Reiju Mihara, Kagawa University Library 三原麗珠 香川大学 図書館
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【登録タグ CHICACO ESQUARIA PSYCHIC DREAMER T ルナティックドリーマー 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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【登録タグ Stack V VENTEN 幻想浄瑠璃 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/playstationhome/pages/1106.html
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https://w.atwiki.jp/mainichi-matome/pages/2377.html
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